
The Fiancée is many things. First of all, it marks Josh Scogin's second appearance on this Best Of list (the first being Norma Jean's album at #31). And musically, it is an exercise in chaos: there are multiple, rapid time changes, spastic guitars, distortion, feedback, one of the heaviest growls this side of Job For A Cowboy, harmonica, heavier-than-yo-fat-mama breakdowns, and a full southern Baptist gospel choir. Yeah, I know, right? The Chariot are also, for those of you keeping score, at #4 on my list of Best Live Bands Ever (numbers 1-3 and 5 are all showing up later on in the list, so keep checking back! I'll let you know... #5 is coming up real quick!). They're just mental; they throw their guitars, themselves, and anything that happens to be lying around into a blender of amazing and then they pour you, the audience, a smoothie of 100% Pure Entertainment.
Bonus: Hayley Williams also sings on one track, which means that every once in a while, a vapid Paramore fan is going to notice that fact, listen to this album, and probably cry. There's probably one crying right now as I write this... And right now, as you're reading this.
Is that vapid Paramore fan you, Rob?
ReplyDeleteDo I look vapid to you? I'm more of a Paramore singles fan, because when they're on, they're fucking on. Misery Business? That shit is beyond catchy!
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